Full fathom five thy father lies;
Of his bones are coral made;
Those are pearls that were his eyes;
Nothing of him that doth fade,
But doth suffer a sea-change
Into something rich and strange.
Sea-nymphs hourly ring his knell:
Hark! now I hear them — Ding-dong, bell.
MARYLHURST COMPOSITION SERIES:
An Appalachian Spring
Friday, May 22nd at 7:30 pm
Flavia Salon, Marylhurst University
ADMISSION IS FREE
Continuing Marylhurst’s tradition of performing landmark 20th century and contemporary repertoire, this year’s concert presents Aaron Copland’s Appalachian Spring in its masterful original instrumentation for thirteen instruments, Chorale (homage to Aaron Copland) by Tomas Svoboda, an Octet by Ken Selden, and original works by two Marylhurst composition students.
Zach Galatis, flute
David Hattner, clarinet
Adam Trussell, bassoon
Susan Smith, piano
Fritz Gearhart and Shin-young Kwon, first violins
Fumino Ando and Sarah Roth, second violins
Brian Quincy and Jen Arnold, violas
Hamilton Cheifetz and Valdine Mishkin, cellos
Ted Botsford, bass
Ken Selden, conductor
Pianists Momoko Muramatsu and Maria Garcia perform at the Old Church. 7pm, Thursday, May 14.
World Premiere of Ken Selden’s Dialogues and music of Ravel, Stravinsky and Milhaud.
For tickets, click here.